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שִׁירוּ לַייָ שִׁיר חָדָשׁ

Halleluyah: Tehillim 149

Tehillim 149: a new song for the future, with dancing at the start and a sword at the end.

Draft. This siddur is waiting for a rav's review. For a halachic question, ask your rav.

At a glance

When
Every morning, the fourth psalm after Ashrei
Where it comes from
Tehillim 149, the whole psalm, all 9 verses
What it is about
The future, says the note printed above it
The sword
The Gemara reads it as the bedtime Shema

The words

Hebrew, then English. Open "What it means" under any line for the explanation.

  1. The siddur's note: this psalm speaks about the future, when our Mashiach comes.

    הַלְלוּיָהּ שִׁירוּ לַייָ שִׁיר חָדָשׁ תְּהִלָּתוֹ בִּקְהַל חֲסִידִים.

    Halleluyah. Sing to Hashem a new song, His praise in the gathering of the devoted.

    What it means

    Why new? Radak (Rabbi David Kimchi, Provence, around 1200): the songs already written will not be enough. The Mekhilta (the rabbis' early teachings on Shemot) counts ten songs in history and brings this verse for the tenth, still to come. The Story section and the second hard question have more.

    Radak on Tehillim 149:1; Mekhilta DeRabbi Yishmael, Shirah 1
  2. יִשְׂמַח יִשְׂרָאֵל בְּעֹשָׂיו בְּנֵי צִיּוֹן יָגִילוּ בְמַלְכָּם.

    Let Israel be glad in its Maker. Let the children of Zion rejoice in their King.

    What it means

    "Its Maker" is plural in the Hebrew. Ibn Ezra (a Spanish commentator who died in the 1160s): it is like the word Elohim, a plural form for the one God. Malbim (a rabbi and commentator of the 1800s) says the two verbs are not the same. Gil is joy over something new, and the children of Zion will always have a new joy.

    Ibn Ezra and Malbim on Tehillim 149:2
  3. יְהַלְלוּ שְׁמוֹ בְמָחוֹל בְּתֹף וְכִנּוֹר יְזַמְּרוּ לוֹ.

    Let them praise His name with dancing. With drum and harp let them make music to Him.

    What it means

    Midrash Tehillim (a collection of the rabbis' teachings on Tehillim) hears the Exodus here. It will be like the days you left Egypt, when Miriam and all the women went out with drums and dances. The Story section has more.

    Midrash Tehillim 149; Shemot 15:20
  4. כִּי רוֹצֶה יְיָ בְּעַמּוֹ יְפָאֵר עֲנָוִים בִּישׁוּעָה.

    For Hashem is pleased with His people. He makes the humble beautiful with rescue.

    What it means

    The psalm before this one called on everything to praise: stars, sea giants, kings. Midrash Tehillim has God answer here: even though all of them praise Me, I ask for praise only from Israel. Radak on why this people: He is pleased with them more than with any other people because they are humbler than any other people.

    Midrash Tehillim 149; Radak on Tehillim 149:4
  5. יַעְלְזוּ חֲסִידִים בְּכָבוֹד יְרַנְּנוּ עַל מִשְׁכְּבוֹתָם.

    Let the devoted exult in honor. Let them sing out on their beds.

    What it means

    Why beds? The Gemara (the rabbis' discussions built on the Mishnah) reads this as the Shema said in bed. Ibn Ezra reads it plainly: when they are alone at night. The Story section has both, and more readings.

    Berakhot 5a; Ibn Ezra on Tehillim 149:5
  6. רוֹמְמוֹת אֵל בִּגְרוֹנָם וְחֶרֶב פִּיפִיּוֹת בְּיָדָם.

    High praise of God in their throats, and a two-edged sword in their hand,

    What it means

    Is the sword real? Rashi (the classic commentator, France, 1000s): the praise in their throats is itself their two-edged sword. Radak reads a real one. In the war of Gog and Magog at the end of days, prayer will be in their mouths and a sword in their hands. Ibn Ezra records both readings.

    Rashi, Radak and Ibn Ezra on Tehillim 149:6
  7. לַעֲשׂוֹת נְקָמָה בַגּוֹיִם תּוֹכֵחוֹת בַּלְאֻמִּים.

    to carry out vengeance on the nations, rebukes on the peoples,

    What it means

    Whose vengeance, and for what? Midrash Tehillim: for what was done to Israel, "the spilled blood of Your servants." And it is not a person's vengeance, it says, but God's. Ibn Ezra gives the aim: to bring the nations back to serve Hashem shoulder to shoulder, in the days of the Mashiach.

    Midrash Tehillim 149; Ibn Ezra on Tehillim 149:7
  8. לֶאְסֹר מַלְכֵיהֶם בְּזִקִּים וְנִכְבְּדֵיהֶם בְּכַבְלֵי בַרְזֶל.

    to bind their kings in chains and their nobles in shackles of iron,

    What it means

    Why kings? Midrash Tehillim: you might think this means all the ordinary people. No, says God. It means the kings, because kings came against Me. Radak: the kings and nobles will be taken alive and bound. Ibn Ezra points to Yeshayahu, where the wealth of the nations is brought to Jerusalem, "and their kings led along."

    Midrash Tehillim 149; Radak and Ibn Ezra on Tehillim 149:8
  9. לַעֲשׂוֹת בָּהֶם מִשְׁפָּט כָּתוּב הָדָר הוּא לְכָל חֲסִידָיו הַלְלוּיָהּ.

    to carry out on them the written verdict. That is the glory of all His devoted ones. Halleluyah.

    What it means

    Written where? Rashi points to the prophet Yechezkel, who was born long after David. The Story section has his answer. Radak: the verdict decreed on them, or the one written in the Torah and the prophecies.

    Rashi and Radak on Tehillim 149:9; Yechezkel 25:14

How to say it

It helps to hear the shape. Sifrei (the rabbis' early teachings on Devarim): David opens with praise of God, "Sing to Hashem a new song." Then he turns to praise of Israel, "For Hashem is pleased with His people." He closes with praise of God again, in the next psalm.

Sifrei Devarim 343

The story

A sword with two mouths

The sword in verse 6 is called pifiyot. The word is peh, mouth, doubled. Radak (Rabbi David Kimchi, Provence, around 1200) explains: a sword with two mouths, one that kills from both sides. The verse sets that sword next to a throat full of praise, and Midrash Tehillim (a collection of rabbinic teachings on Tehillim) reads the two halves as one. God says: you raise Me up, and I fight the war for you. Then its summary: the mouth of Israel is their sword.

Radak on Tehillim 149:6; Midrash Tehillim 149

The Gemara: the sword is the bedtime Shema

Rabbi Yitzchak says in the Gemara (the rabbis' discussions built on the Mishnah): whoever says Shema in bed is like someone holding a two-edged sword. His proof is verse 6. The Gemara asks how he knows the verse is about Shema. The answer: look one verse back. "Let them sing out on their beds," and right after it, praise in the throat and a sword in the hand. Rashi (the classic commentator, France, died 1105) says what the sword is for: to kill the mazikin, the harmful spirits.

Berakhot 5a, with Rashi

The tenth song

The Mekhilta (an early Midrash on Shemot) counts ten songs in the history of Israel. The first was sung in Egypt. The eighth is King Shlomo's, and its proof is the first line of Mizmor Shir Chanukat HaBayit, which you said a little before Baruch She'amar. The ninth belongs to King Yehoshafat. The tenth has not been sung. It belongs to the future, and one of the Mekhilta's two proofs is the first line of this psalm: "Sing to Hashem a new song." So read, the psalm opens by calling for a song that does not exist yet.

Mekhilta DeRabbi Yishmael, Shirah 1

Rashi: it points to a book that was not written yet

The last verse speaks of "the written verdict." Written where? Rashi points to the prophet Yechezkel: "I will place My vengeance on Edom, in the hand of My people Israel." Then Rashi asks the obvious question. Yechezkel was not born yet when David said this. His answer: David was speaking in prophecy about the final redemption, and by the time it comes, this verdict will have been in writing for a long time. Radak offers another possibility: what is written in the Torah and the prophecies.

Rashi and Radak on Tehillim 149:9; Yechezkel 25:14

Singing in bed

"Let them sing out on their beds." Why beds? Ibn Ezra (a Spanish commentator who died in the 1160s): when they are alone at night. Metzudat David (a commentary from the 1700s) hears "bed" as rest: they will sing when they are at rest in their own land. Meiri (Rabbi Menachem Meiri, Provence, around 1300) brings a reading that it means actual beds, because the hour of sleep is a time of clear thought. Midrash Tehillim pictures the Garden of Eden, with many fine beds laid out for the righteous.

Ibn Ezra, Metzudat David and Meiri on Tehillim 149:5; Midrash Tehillim 149

The joy goes both ways

Verse 2: "Let Israel be glad in its Maker." A few minutes ago, at the start of Yehi Chevod, you said the mirror image: "May Hashem be glad in what He made." Midrash Tehillim, explaining why the song here is a happy one, brings that same line and has God say: you see Me and you are glad, and I see you and I am glad. It backs that with a verse from the prophet Yeshayahu: "I will rejoice in Jerusalem and delight in My people." Verse 4 of the psalm says it outright: Hashem is pleased with His people.

Midrash Tehillim 149; Tehillim 104:31; Yeshayahu 65:19

Dancing like at the sea

"Let them praise His name with dancing, with drum and harp." Midrash Tehillim hears an echo. After the sea split, Miriam took a drum, and all the women went out after her with drums and dancing. The Midrash ties the two with a line from the prophet Michah: "As in the days when you left Egypt, I will show wonders." The celebration to come will look like the one at the sea. Meiri reads the dancing as a picture of great longing, and says the instruments are there to wake up people's hearts.

Midrash Tehillim 149; Shemot 15:20; Michah 7:15; Meiri on Tehillim 149:3

Hard questions

Swords, revenge, kings in chains. Why is this in my morning prayers?

Five verses of singing and dancing. Then a two-edged sword, vengeance on the nations, and kings in iron chains. The classic commentators do not skip these lines. They also do not all read them the same way.

Start with when. The note printed above the psalm in the siddur says it speaks about the future, the coming of the Mashiach. Rashi, Ibn Ezra, Radak and Meiri all read it that way. It describes the end of history. None of them reads it as an instruction for today.

Radak (Rabbi David Kimchi, Provence, around 1200) takes the sword as a real sword. In the last war, the war of Gog and Magog, Israel will go out with prayer in their mouths and a sword in their hands.

Rashi (the classic commentator, France, died 1105) reads the verse differently. The praises in their throats are the two-edged sword. Midrash Tehillim (a collection of rabbinic teachings on Tehillim) says it in one line: the mouth of Israel is their sword. God says: you raise Me up, and I fight the war for you.

And the vengeance? The Midrash asks which vengeance is meant, and answers with a verse: for the spilled blood of Your servants. It adds that this is not a person's vengeance. It is God's. Then it asks whether ordinary people are the target. God answers no, only the kings, and the next verse does name kings and nobles.

The last verse calls it "the written verdict." Rashi: a sentence that a prophet already wrote down. Ibn Ezra (a Spanish commentator who died in the 1160s) says what the vengeance is for: to bring the nations back to serve God "shoulder to shoulder," a phrase from the prophet Tzefanyah, in the days of the Mashiach.

The Romemu prayer, earlier this morning, has a hard question of its own on "God of vengeance." The Gemara's answer there was short: in its place, vengeance is great. None of the readings here deletes the sword, and Radak keeps it real. What they share is the timing: the end of history, not now.

Siddur Sefard, weekday Shacharit,Rashi on Tehillim 149:6 and 149:9,Radak on Tehillim 149:6,Ibn Ezra on Tehillim 149:7,Meiri on Tehillim 149:1,Midrash Tehillim 149,Tzefanyah 3:9,Berakhot 33a

How is it a "new song" if I say the same words every morning?

The psalm tells you to sing a new song. Then you read the same nine verses you read yesterday. It is a fair thing to notice.

Radak (Rabbi David Kimchi, Provence, around 1200) reads the first verse closely. He explains: the songs that are already written will not be enough for them. They will make up a new one. On his reading, the psalm is not calling itself the new song. It is a call for a song that does not exist yet.

Why would the old songs stop being enough? Midrash Tehillim (a collection of rabbinic teachings on Tehillim) quotes the prophet Yeshayahu: "I am doing something new." Then God says: just as I make new things, you say a new song to Me. Meiri (Rabbi Menachem Meiri, Provence, around 1300) says that the time itself will be called new, because of the wonders in it.

The Mekhilta (an early Midrash on Shemot) notices the grammar. Hebrew has two words for a song: shirah, which is feminine, and shir, which is masculine. The Mekhilta says every song of the past is called shirah. Its reason is a comparison to giving birth: each of those rescues was followed by new subjugation. The rescue of the future is called by the masculine word, because no subjugation comes after it.

You say both words every morning. Just before the Amidah, the siddur says shirah chadashah: the people rescued at the sea praised God with a new song. That one happened. Here the words are shir chadash. Tosafot (the medieval commentaries printed alongside the Gemara) use this same Mekhilta to set the wording of the Haggadah on Seder night: shirah chadashah in the line that leads into Hallel, and shir chadash in the line about the redemption still to come.

So on these readings, saying the same words every day is what you would expect. The new song belongs to a day that has not come, and nobody has written it yet.

Radak on Tehillim 149:1,Midrash Tehillim 149,Yeshayahu 43:19,Meiri on Tehillim 149:1,Mekhilta DeRabbi Yishmael, Shirah 1,Siddur Sefard, weekday Shacharit,Tosafot on Pesachim 116b

It keeps saying "chasidim." I am not one. Is this psalm about someone else?

The word chasidim comes three times in nine verses: at the start, in the middle and at the end. Today it usually means members of the Chassidic movement, which began in the 1700s. The psalm is far older than that. So who does it mean?

The word comes from chesed, kindness or loyalty. In the Mishnah (the first written collection of the rabbis' laws), a chasid is the person who says: what is mine is yours, and what is yours is yours. Rambam (Maimonides, who died in 1204) defines a chasid as someone who is extra strict with himself and moves a little past the middle path, beyond what the law asks. That is a high bar.

Radak (Rabbi David Kimchi, Provence, around 1200) does not read the psalm that way. "The gathering of chasidim," he writes, "and they are Israel."

Midrash Tehillim (a collection of rabbinic teachings on Tehillim) asks the question outright: who are the chasidim? Its answer is the same, Israel, and it explains how. Whenever Israel sees God, they become chasidim. They saw Him at the sea, became chasidim, and sang. On this reading, chasid is something people become at a certain moment. It is not a fixed rank.

Meiri (Rabbi Menachem Meiri, Provence, around 1300) places it in the future. When the earth is full of the knowledge of God, he writes, the whole people will be called chasidim.

Malbim (a commentator on Tanach in the 1800s) reads the word more narrowly. For him the chasidim are the people closest to God, a group inside Israel. Even so, on verse 4 he writes that God is pleased with the people as a whole.

So the sources give two ways to hear the word: a name for the whole people, or a name for those closest to God. Radak and Malbim both read verse 4, "Hashem is pleased with His people," as being about the whole people.

Mishnah Avot 5:10,Rambam, Laws of Character Traits 1:5,Radak on Tehillim 149:1 and 149:4,Midrash Tehillim 149,Meiri on Tehillim 149:1,Malbim on Tehillim 149:1, 149:2 and 149:4

Sparks

Short ideas from the Chassidic masters, the Kabbalah and the Mussar teachers.

Zohar

Makers, not Maker

The Hebrew does not say Israel will be glad in its Maker. It says "Makers," plural. The Zohar (the central book of Kabbalah) asks why, and answers: the makers are God and His presence, and a person's father and mother. Even if the parents have died, it says, God brings them from the Garden of Eden to share in their child's joy. The Zohar says this while teaching that a joy with no place in it for God is not joy. Now read the line again and count who is in it.

בְּעוֹשָׂיו, בְּעוֹשׂוֹ מִבָּעֵי לֵיהּ. אֶלָּא אִלֵּין קוּדְשָׁא בְּרִיךְ הוּא וּשְׁכִינְתֵּיהּ, וְאָבִיו וְאִמּוֹ

Zohar, Parashat Pinchas
Sefat Emet

Singing before the ending

The note printed above this psalm says it is about the future, the days of the Mashiach (the future redeemer). So why sing it this morning? The Sefat Emet (Rabbi Yehudah Aryeh Leib Alter of Ger, a Chassidic master who died in 1905) quotes a midrash that cites a twin verse, Tehillim 98:1, "Sing to Hashem a new song": Israel will sing in the future, and what earns it is faith. He explains that as long as bad is mixed into the world, the song is not whole. But with faith, he writes, Israel can find the light of that song already in this world.

כי בעוד שיש תערובות רע בעולם. אין השירה בשלימות... אבל בנ"י בכח האמונה יכולין למציא הארת השירה גם בעוה"ז

Sefat Emet, Parashat Beshalach, 5659 (1899); Shemot Rabbah 23:5
Chassidut

The Mashiach's weapon

This psalm puts a two-edged sword in the hands of the faithful, and the siddur's note ties the psalm to the days of the Mashiach. Rebbe Nachman of Breslov (a Chassidic master who died in 1810) teaches that the main weapon of the Mashiach is prayer. Every war he fights and everything he conquers, Rebbe Nachman says, comes from there. Then he reads this verse. The Hebrew for "two-edged" literally means "two mouths." Prayer, he says, is double: it holds praise of God and asking for what you need.

כִּי עִקַּר כְּלֵי זֵינוֹ שֶׁל מָשִׁיחַ הוּא הַתְּפִלָּה

Rebbe Nachman of Breslov, Likutei Moharan I:2
Maharal

Sharp on every side

The Gemara (Berakhot 5a) learns from this verse that saying Shema in bed is like holding a two-edged sword. The Maharal (Rabbi Yehudah Loew of Prague, who died in 1609) explains the picture. Shema says God is one. Most things are one only from a certain angle: a king is the only king, but as a human being he is one of many. An ordinary sword is like that, sharp on one side. A two-edged sword is sharp all over. God, he writes, is one from every side. And forces that harm, he says, have power only where things are split in two.

אבל השם יתברך אחד לגמרי מכל צד ... שהוא כולו חד, ואין בו חלוק

Maharal, Be'er HaGolah, Well 2, on Berakhot 5a
Chassidut

Did the prayer change God's mind?

On the opening verse, Rabbi Elimelech of Lizhensk (an early Chassidic master who died in 1787) asks a hard question. If someone prays for a sick person who then recovers, did God change? No, he says. Nothing bad comes from above. A person is tied to a source, and sin can cut that tie. When a righteous person prays for him, the prayer ties him back, and so he heals. That, he says, is what the word tefillah means: connection. Praise, tehillah, reaches a place of only light, where nothing can accuse. That is why David's songs are called Tehillim.

ולכן נקראת תפילה, כי תפילה היא מלשון התקשרות

Noam Elimelech, Likutei Shoshanah

Halacha

The practical laws. For a final ruling, ask your rav.

There is a brit today. Why did the prayer leader sing one line of this psalm?

The Rema (Rabbi Moshe Isserles, who added Ashkenazi practice to the Shulchan Aruch, the main code of Jewish law) records a custom: the mohel, who performs the brit (circumcision), leads the prayers that day. He cites this psalm: God's praise in their throats, a sword in their hands. The Shach (a 1600s commentary) cites a ruling: that reading is found nowhere. The real reason: he is busy with a mitzvah. The Aruch HaShulchan (a law code, about 1900): among us the mohel does not lead. The prayer leader sings this verse.

Rema, Yoreh De'ah 265:11; Shach, Yoreh De'ah 265:23; Aruch HaShulchan, Yoreh De'ah 265:36

"Let them praise His name with dancing." So is dancing on Shabbat a problem?

The Shulchan Aruch: on Shabbat, no clapping and no dancing. It is a decree, in case someone comes to fix a musical instrument. The Rema records a view that today it is all allowed, since we are not skilled at making instruments. That may be why people are lenient, he says. The Mishnah Berurah (a law commentary, about 1900): on Simchat Torah dancing is allowed, for the honor of the Torah, but not bells or instruments. The Aruch HaShulchan: our clapping and dancing, to songs sung by mouth, were never forbidden.

Shulchan Aruch and Rema, Orach Chaim 339:3; Mishnah Berurah 339:8; Aruch HaShulchan, Orach Chaim 339:9

The psalm says "let them sing out on their beds." Is that a real practice?

The Gemara reads it as the bedtime Shema, and the Story section tells how. Rabbi Yehoshua ben Levi, in the Gemara: even after Shema in the synagogue, it is a mitzvah to say it on your bed. The Shulchan Aruch: say the first paragraph of Shema and HaMapil, the bedtime blessing. Peninei Halakhah (a modern law guide by Rabbi Eliezer Melamed): the Sages set those two. The rest is not required.

Berakhot 4b and 5a; Shulchan Aruch, Orach Chaim 239:1; Peninei Halakhah, Prayer 26:1

Do I say these two verses at bedtime?

It depends on your siddur. The Kaf HaChaim (a Sephardic law commentary, early 1900s) gives a bedtime order based on the Arizal (Rabbi Yitzchak Luria, the Kabbalist of Tzfat, 1500s): after Shema say Ya'alzu chasidim and Romemot El from this psalm, then the verses from Shir HaShirim (the Song of Songs) about sixty warriors around Shlomo's bed, each with a sword, and repeat them three times. The Chabad siddur and Siddur Edot HaMizrach, a Sephardic siddur, print it so. Siddur Sefard has the Shlomo verses alone.

Kaf HaChaim, Orach Chaim 239:2; Chabad siddur, Siddur Edot HaMizrach and Siddur Sefard, bedtime Shema

Can I talk after the bedtime Shema?

The Rema: after the bedtime Shema, no eating, drinking or talking. Go right to sleep. If sleep does not come, say Shema again until it does. The Mishnah Berurah: if you are thirsty, or something urgent has to be said, it seems allowed, and then you say Shema again. After HaMapil, he adds, be careful: that would be a break between the blessing and sleep. Peninei Halakhah allows it then too, for a need: HaMapil is praise for the night's sleep, not like a blessing on food. Still, best to keep it next to sleep.

Rema, Orach Chaim 239:1; Mishnah Berurah 239:4; Peninei Halakhah, Prayer 26:3

Do girls say the bedtime Shema?

Most authorities say yes. The Magen Avraham (a 1600s commentary on the Shulchan Aruch) noted that women did not have the custom, and suggested why: it applies only at night, and women are exempt from commandments tied to a set time. The Eliyah Rabbah (Rabbi Eliyahu Shapira of Prague, about 1700) disagreed: "Do men need protection and women not?" The Kaf HaChaim quotes him, and a later report that women now say it. Peninei Halakhah: the other authorities rule that women say Shema and HaMapil, as men do.

Magen Avraham 239:2; Eliyah Rabbah 239:4; Kaf HaChaim, Orach Chaim 239:3; Peninei Halakhah, Women's Prayer 19:1

Is there a night when the protection verses are left out?

Seder night, in Ashkenazi custom. The Rema: at bedtime say only the Shema paragraph, not the other things said on other nights for protection, because it is leil shimurim, a night guarded from harm. The Mishnah Berurah adds that HaMapil is still said. The Kitzur Shulchan Aruch (a short law guide, 1860s) gives the point: to show that this night needs no guarding. The Ben Ish Chai (Rabbi Yosef Chaim of Baghdad, died 1909) rules differently: say the usual verses too, in the order of the Arizal.

Rema, Orach Chaim 481:2; Mishnah Berurah 481:4; Kitzur Shulchan Aruch 119:9; Ben Ish Chai, Year 1, Tzav 38

Sources

Show the 10 sources quoted on this page
  • Midrash Tehillim 149

    אמר הקב"ה אתם מרוממין אותי ואני עושה מלחמה בעדכם כדי להצילכם מן הגליות ומן השעבוד. וכן אמר הכתוב פיהם של ישראל הוא חרבם.

    God said: you raise Me up, and I make war for you, to save you from the exiles and from subjugation. And so the verse says: the mouth of Israel is their sword.

  • Berakhot 5a

    אָמַר רַבִּי יִצְחָק: כׇּל הַקּוֹרֵא קְרִיאַת שְׁמַע עַל מִטָּתוֹ, כְּאִלּוּ אוֹחֵז חֶרֶב שֶׁל שְׁתֵּי פִיּוֹת בְּיָדוֹ. שֶׁנֶּאֱמַר: ״רוֹמְמוֹת אֵל בִּגְרוֹנָם וְחֶרֶב פִּיפִיּוֹת בְּיָדָם״

    Rabbi Yitzchak said: whoever says Shema in bed is like someone holding a two-edged sword in his hand, as it says: "High praise of God in their throats and a two-edged sword in their hand."

  • Mekhilta DeRabbi Yishmael, Shirah 1

    כָּל הַשִּׁירוֹת שֶׁעָבְרוּ קְרוּיוֹת בִּלְשׁוֹן נְקֵבָה. כַּשֵּׁם שֶׁהַנְּקֵבָה יוֹלֶדֶת, כָּךְ הַתְּשׁוּעוֹת שֶׁעָבְרוּ, הָיָה אַחֲרֵיהֶם שִׁעְבּוּד, אֲבָל הַתְּשׁוּעָה הָעֲתִידָה קְרוּיָה בִּלְשׁוֹן זָכָר ... כָּךְ הַתְּשׁוּעָה הָעֲתִידָה לָבֹא, אֵין אַחֲרֶיהָ שִׁעְבּוּד

    All the songs of the past are called by a feminine word. As a female gives birth, so the rescues of the past had subjugation after them. But the rescue of the future is called by a masculine word ... so the rescue that is going to come has no subjugation after it.

  • Radak on Tehillim 149:1

    שירו לה' שיר חדש. כלומר לא יהיה להם די בשירים האלה הכתובים אלא הם יחדשו לו שיר

    "Sing to Hashem a new song." That is: these written songs will not be enough for them. They will make a new song for Him.

  • Midrash Tehillim 149

    ומי הם החסידים אלו ישראל ... כל זמן שישראל רואין את הקב"ה הם נעשו חסידים. ראוהו בים נעשו חסידים ואמרו שירה.

    And who are the chasidim? These are Israel ... Whenever Israel sees the Holy One, they become chasidim. They saw Him at the sea, became chasidim, and sang.

  • Midrash Tehillim 149

    אמר הקב"ה אתם רואים אותי ושמחים וגלים וגם אני רואה אתכם ואני גל ושמח.

    God said: you see Me and you are glad and joyful, and I too see you, and I am joyful and glad.

  • Radak on Tehillim 149:6

    כשיבואו למלחמה עם גוג מגוג כך ירוממו האל כי שהוציאם מן הגלות, והתפלה תהיה בפיהם וחרב בידם

    When they come to the war with Gog and Magog, this is how they will raise up God, who brought them out of exile: the prayer will be in their mouths and a sword in their hands.

  • Midrash Tehillim 149

    ולא נקמת אדם אלא ... אל נקמות ה' ... ושמא תאמר כל ההדיוטות. אמר הקב"ה לאו אלא למלכי עכו"ם. שנאמר לאסור מלכיהם

    Not a person's vengeance, but "God of vengeance, Hashem" ... And in case you say: on all the ordinary people? God said: no, only on the kings of the idol-worshipping nations, as it says, "to bind their kings."

  • Ibn Ezra on Tehillim 149:7

    הטעם להשיבם לעבוד השם שכם אחד וזה בימי המשיח.

    The point is to bring them back to serve God shoulder to shoulder, and this is in the days of the Mashiach.

  • Rashi on Tehillim 149:9

    ואם תאמר עדיין לא נולד יחזקאל כשאמר דוד זאת נתנבא דוד על קץ הגאולה וכשיבא הקץ כבר כתוב הוא המשפט זה ימים רבים

    And if you say: Yechezkel was not yet born when David said this. David was prophesying about the time of the redemption, and when that time comes, this verdict will already have been written for a long time.

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