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כְּאַיָּל תַּעֲרֹג

Tehillim 42

A psalm of longing, tears and hope. Fourth of the ten Tikkun HaKlali psalms.

Draft. This siddur is waiting for a rav's review. For a halachic question, ask your rav.

At a glance

In the Tikkun
The fourth of the ten psalms
Credited to
The sons of Korach, in the title
A repeated line
"Why are you bowed down, my soul?" Twice here, once in 43
A surprise
Korach's sons sang from a ledge in Gehinnom

The words

Hebrew, then English. Open "What it means" under any line for the explanation.

  1. The fourth of the ten psalms of the Tikkun HaKlali (the "general remedy"):

    לַמְנַצֵּחַ מַשְׂכִּיל לִבְנֵי קֹרַח.

    For the leader a maskil of the sons of Korach

  2. כְּאַיָּל תַּעֲרֹג עַל אֲפִיקֵי מָיִם כֵּן נַפְשִׁי תַעֲרֹג אֵלֶיךָ אֱלֹהִים.

    Like a deer crying out beside streams of water so my soul cries out to You, God

  3. צָמְאָה נַפְשִׁי לֵאלֹהִים לְאֵל חָי מָתַי אָבוֹא וְאֵרָאֶה פְּנֵי אֱלֹהִים.

    My soul thirsts for God, for the living God When will I come and appear before God?

    What it means

    Radak asks why the psalm says thirst and not hunger. A person can go two or three days without food, but not without water. He adds that the thirst of the thinking soul is stronger than the body's thirst for water.

    Radak on Tehillim 42:3
  4. הָיְתָה לִּי דִמְעָתִי לֶחֶם יוֹמָם וָלָיְלָה בֶּאֱמֹר אֵלַי כָּל הַיּוֹם אַיֵּה אֱלֹהֶיךָ.

    My tears have been my bread by day and by night while they say to me all day long "Where is your God?"

    What it means

    My tears have been my bread by day and by night, while all day long they say to me, "Where is your God?"

    Rashi says sorrow can fill a person up, so he does not want to eat. He points to Hannah (the mother of the prophet Shmuel), who wept and would not eat.

    Rashi on Tehillim 42:4; Shmuel Aleph 1:7
  5. אֵלֶּה אֶזְכְּרָה וְאֶשְׁפְּכָה עָלַי נַפְשִׁי כִּי אֶעֱבֹר בַּסָּךְ אֶדַּדֵּם עַד בֵּית אֱלֹהִים בְּקוֹל רִנָּה וְתוֹדָה הָמוֹן חוֹגֵג.

    These things I remember and I pour out my soul within me how I used to pass in the crowd walking slowly with them all the way to the House of God with joyful singing and thanks a festival crowd

    What it means

    Radak says that on those walks up to the Temple there was no enemy and no accident on the way, only singing and thanks.

    Radak on Tehillim 42:5
  6. מַה תִּשְׁתּוֹחֲחִי נַפְשִׁי וַתֶּהֱמִי עָלָי הוֹחִלִי לֵאלֹהִים כִּי עוֹד אוֹדֶנּוּ יְשׁוּעוֹת פָּנָיו.

    Why are you bowed down, my soul and why do you moan within me? Hope in God for I will yet thank Him for the saving help of His face

  7. אֱלֹהַי עָלַי נַפְשִׁי תִשְׁתּוֹחָח עַל כֵּן אֶזְכָּרְךָ מֵאֶרֶץ יַרְדֵּן וְחֶרְמוֹנִים מֵהַר מִצְעָר.

    My God my soul is bowed down within me that is why I remember You from the land of the Jordan and the peaks of Hermon from Mount Mitzar

    What it means

    Two views. Rashi: he remembers God drying up the Jordan for Israel even after they angered Him, and Mount Mitzar, "the small mountain," which is Sinai, where God forgave the Golden Calf and still went with them. It hurts to remember, because now that goodness is held back. Radak: these are the far edges of the land, where pilgrims set out for the Temple.

    Rashi and Radak on Tehillim 42:7
  8. תְּהוֹם אֶל תְּהוֹם קוֹרֵא לְקוֹל צִנּוֹרֶיךָ כָּל מִשְׁבָּרֶיךָ וְגַלֶּיךָ עָלַי עָבָרוּ.

    Deep calls to deep at the sound of Your water channels All Your breakers and Your waves have passed over me

  9. יוֹמָם יְצַוֶּה יְיָ חַסְדּוֹ וּבַלַּיְלָה שִׁירֹה עִמִּי תְּפִלָּה לְאֵל חַיָּי.

    By day Hashem commands His kindness and at night His song is with me a prayer to the God of my life

    What it means

    Rashi: by day, when the light comes, God will send His kindness. Night is the darkness of trouble. Radak reads the night as the exile: even there we sing, thanking God for the kindnesses He did for our ancestors and still does for us every day.

    Rashi and Radak on Tehillim 42:9
  10. אוֹמְרָה לְאֵל סַלְעִי לָמָה שְׁכַחְתָּנִי לָמָּה קֹדֵר אֵלֵךְ בְּלַחַץ אוֹיֵב.

    I say to God, my rock Why have You forgotten me? Why must I walk in gloom squeezed by an enemy

    What it means

    Radak notices that the complaint begins with "my rock": God had been his fortress before.

    Radak on Tehillim 42:10
  11. בְּרֶצַח בְּעַצְמוֹתַי חֵרְפוּנִי צוֹרְרָי בְּאָמְרָם אֵלַי כָּל הַיּוֹם אַיֵּה אֱלֹהֶיךָ.

    Like a killing blow in my bones my enemies have taunted me saying to me all day long "Where is your God?"

    What it means

    Rashi says it felt as if they were killing him: the insult was locked inside his bones. He borrows a phrase from the prophet Yirmiyahu (Jeremiah), "shut up in my bones." Radak adds that the bones are the foundations of the body.

    Rashi and Radak on Tehillim 42:11; Yirmiyahu 20:9
  12. מַה תִּשְׁתּוֹחֲחִי נַפְשִׁי וּמַה תֶּהֱמִי עָלָי הוֹחִילִי לֵאלֹהִים כִּי עוֹד אוֹדֶנּוּ יְשׁוּעֹת פָּנַי וֵאלֹהָי.

    Why are you bowed down, my soul and why do you moan within me? Hope in God for I will yet thank Him the saving help of my face and my God

    What it means

    This refrain comes three times in all: twice here, and once more in Tehillim 43:5. Rashi says the three match three empires that would end the Temple service. Each time, he says, Israel cries out and is redeemed.

    Rashi on Tehillim 42:3; Tehillim 43:5

How to say it

Rebbe Nachman of Breslov (a Chassidic master who died in 1810) said to say the ten psalms in the order they appear in Tehillim.

Sichot HaRan 141

The story

Sung from a ledge in the pit

Tehillim 48, the psalm for Monday, tells who Korach was and that his sons did not die. The Gemara adds that a protected place was made for them in Gehinnom (the place of punishment after death), and they sat there and sang. Rashi (the main classic commentator on Tanach, France, died 1105) says they composed these psalms in that place, then came up.

Bamidbar 26:11; Sanhedrin 110a; Rashi on Tehillim 42:1

Who is speaking, and from where?

The writer remembers walking up to the House of God in a crowd. Rashi and Radak both say this is the pilgrimage festivals, when people went up to the Temple. Radak (Rabbi David Kimchi, Provence, around 1200) mentions the view that David said it while in exile among the Philistines. He prefers a different one: it speaks for the people in exile, written as "I" so that each person in exile can say it. Rashi says the sons of Korach spoke it as a prophecy about the exiles and the destruction of the Temple.

Rashi and Radak on Tehillim 42:1 and 42:5

The deer at the streams

Rashi quotes the Rabbis: the hind is the most pious of the animals. Thirsty animals gather around her. She digs a hole, puts her horns in and cries out, and God has compassion and the deep sends up water for her. Midrash Tehillim (an old midrash on Tehillim) says Korach's sons cried out from distress and were answered, like her. Ibn Ezra (Spain, 1100s): the deer eats snakes, heats up inside, and seeks strong streams.

Rashi and Ibn Ezra on Tehillim 42:2; Midrash Tehillim 42

"I will appear" is a passive verb

In verse 3 the writer asks, "When will I come and appear before God?" The Hebrew is ve'era'eh, "and I will be seen." The Torah uses the same form for the pilgrimage command: three times a year all your males "appear" before God. Ibn Ezra ties this verse to that command. The Gemara reads the command as: the way you come to see, you come to be seen.

Shemot 23:17; Ibn Ezra on Tehillim 42:3; Chagigah 2a

Deep calls to deep: two readings

Rashi reads it as trouble: "one trouble calls to the next." The Gemara hears water. Rabbi Elazar says that when the water was poured out on Sukkot, the deep says to its friend, "Let your waters out, I hear the voice of two friends." Bereishit Rabbah (an early midrash) has Rabbi Shimon ben Elazar say each handbreadth of rain is met by water rising two handbreadths, quoting this verse. Metzudat David (a commentary from the 1700s) reads trouble: the next arrives before the first has left.

Tehillim 42:8; Taanit 25b; Bereishit Rabbah 13:13; Rashi and Metzudat David on Tehillim 42:8

Night: song, or camp?

Verse 9 says that at night "His song is with me." Rashi gives two readings. The Midrash takes the word as song. Rashi himself, following the Masorah (the old notes on how Tanach's words are written), says it means a camp or stay: may His camp be among us, in the darkness of the trouble. Ibn Ezra says they sang at night. Rebbe Nachman of Breslov (a Chassidic master who died in 1810) used the song reading. His verse for the kind of song called shir is this one. The Tikkun opening page tells his story.

Rashi and Ibn Ezra on Tehillim 42:9; Likutei Moharan II:92

Hard questions

What if I don't feel God at all? Is this psalm only for people who do?

Look at what this writer has: a thirst, an empty place where something used to be, and a voice that says all day, "Where is your God?" (verses 4 and 11). The psalm does not start from closeness.

The old commentators spell out what the taunt means. Radak hears it as: if He is the true God and you serve Him, He would have saved you and brought you out of exile. Ibn Ezra (a Spanish commentator of the 1100s) gives another reading: you used to go up three times a year to see Him, and now you cannot.

So the thirst is for something the writer once had: the walk up with the crowd, the singing, the House of God (verse 5). Rashi and Radak both say this is the memory.

Now notice what the writer does with the gap. He does not hide it. In verse 10 he calls God "my rock" and in the same sentence asks, "Why have You forgotten me?"

The psalm itself does three things: it remembers (verse 5), it talks to its own soul (verse 6), and it waits. Rashi reads the word for "hope" in verse 6 as: wait, and look forward to the redemption.

Tehillim 42:4, 42:5, 42:11; Radak on Tehillim 42:4,Ibn Ezra on Tehillim 42:4; Rashi on Tehillim 42:5 and 42:6

Why does the writer argue with his own soul instead of just praying?

Verses 6 and 12 are almost the same sentence: "Why are you bowed down, my soul, and why do you moan within me? Hope in God, for I will yet thank Him." The writer talks to his soul as if it were another person.

Radak explains the order. First the soul pours itself out as the writer remembers the festivals. Then he turns back and comforts it: why are you bowed down, my soul? Hope in God.

Metzudat David is more blunt about what happens next. Right after the comfort, he says, it is as if the soul turns again to complain. That is verse 7: my soul is bowed down within me, because I remember the good I had from You. At verse 12 he says the writer turns again to comfort it.

So this is not a straight line from sad to calm. It goes sad, comforted, sad again, comforted again.

What does the comfort actually say? It does not say the trouble is over. The words are od odenu, "I will yet thank Him." Radak explains that the writer will still thank God for the rescue that is coming. The thanks is in the future. Rashi adds that the word for "hope" means to wait.

Radak on Tehillim 42:6 and 42:12,Metzudat David on Tehillim 42:6, 42:7 and 42:12,Rashi on Tehillim 42:6

Does this psalm say my troubles are my fault?

In verse 8 the writer says to God, "All Your breakers and Your waves have passed over me." In verse 10 he asks, "Why have You forgotten me?" So whose fault is the flood? The sources do not agree.

Radak (Rabbi David Kimchi, Provence, around 1200) says the writer calls them "Your" waves because God brought them on us for our sins.

Midrash Tehillim (a collection of rabbinic teachings on Tehillim) lets the psalm push back. The people in Egypt kept one commandment and were redeemed, it has Israel say. I keep all of them, so why have You forgotten me? Rashi quotes this reading.

The same Midrash gives God's side as well. Israel says the right hand above has changed. God answers with Yeshayahu (Isaiah) 59: Hashem's hand is not too short to save, but your sins have been a barrier between you and your God.

Ibn Ezra gives a reason that blames no one. The writer asks "why" because of how long the exile has lasted.

Two cautions. First, all of these sources are talking about the exile of the whole Jewish people, in a psalm written as "I" so that each person can say it. They do not rule on one person's hard week. The Gemara takes up personal troubles in another place. Rava (some say Rav Chisda) says that someone who sees troubles coming should look into his own deeds. If he finds nothing, he should think about time lost from Torah study. If that is not it either, they are "sufferings of love" (Berakhot 5a). Second, the psalm itself does not settle the question. The question is asked, and the writer keeps waiting.

Tehillim 42:8 and 42:10; Radak on Tehillim 42:8,Midrash Tehillim 42:4 and 42:5; Yeshayahu 59:1-2,Rashi and Ibn Ezra on Tehillim 42:9 and 42:10,Berakhot 5a

Sparks

Short ideas from the Chassidic masters, the Kabbalah and the Mussar teachers.

Chassidut

Wanting is already praying

Rabbi Kalonymus Kalman Shapira (the Piaseczner Rebbe, a Chassidic rebbe in Poland who was murdered in the Holocaust in 1943) says the verse is not just comparing prayer to a thirsty deer's cry. Any wish for something you lack, he writes, is already prayer. You cannot want what is out of reach: an ordinary person does not wish to be king. So every wish exists because the soul knows, deep down, that it can be filled. And who can fill it? God. Now read "my soul longs" again.

רק כל רצון על מחסור הוא ענין תפלה... לכן כל רצון הוא מפני שיודעת הנפש בפנימיותה שיכול הדבר להתמלאות

Rabbi Kalonymus Kalman Shapira, Derekh HaMelekh, Shemini Atzeret
Zohar

One deer's cry for rain

Rabbi Shimon, the sage at the center of the Zohar (the central book of Kabbalah), says there is one deer on earth for whom God does a great deal. When she cries, God hears her distress and accepts her voice. And when the world needs mercy in the form of water, she raises her voice, God hears it, and He has pity on the world. Rabbi Shimon says this is what the verse means: "As a deer longs for streams of water." Now read the first line again.

וכד אצטריך עלמא לרחמי למייא, היא יהבת קלין, וקב"ה שמע קלה, וכדין חייס על עלמא

Zohar, Parashat Beshalach
Chassidut

To see, or to be seen

The Mei HaShiloach (a Chassidic book from Izhbitz, Poland, by Rabbi Mordechai Yosef Leiner, who died in 1854) notices the verb in verse 3. It does not say "I will see" the face of God, which would mean he hopes to look at it. It says "and I will appear," a form that means to be seen. So the longing, he explains, is that he himself should appear like the face of God, as God wishes. Now read "and appear" again.

רק כתיב ואראה שהיה משתוקק שיהיה הוא נראה כפני אלהים כרצון השי"ת

Mei HaShiloach, Psalms 42:1
Chassidut

The smallest hour is the turning point

Rabbi Natan of Breslov (Rebbe Nachman's main student, died 1844) cites this psalm in his teaching on rising at midnight. At that hour the Divine Presence, which he calls the sum of all the souls of Israel, is at its smallest, and it cries out like the deer. God then stirs His compassion and draws a thread of kindness. Those who rise at midnight, he adds, take that power with them: whatever has happened, they can always wake up from inside the smallness, through the little good they still find in themselves. Now read the first line again.

שאז השכינה שהיא כלליות נפשות ישראל בתכלית הקטנות והמעוט, ואז היא צועקת בקול מר להשם־יתברך

Rabbi Natan of Breslov, Likutei Halakhot, Orach Chaim, Laws of Morning Conduct 1:15
Chassidut

Singing is what keeps you praying

Rabbi Natan (Rebbe Nachman's main student) reads "at night His song is with me" as describing our own time, the long night before the world is renewed. Even now, he says, the song is with us. The songs and praises we say are our life, he writes, and they keep the soul going through the bitterness of exile. That is the meaning of "a prayer to the God of my life": through song we find the strength to pray and to cry out about how long it is taking. Now read "His song is with me" again.

אשר רק הם חיינו ומשיב נפשנו להתקים במרירת הגלות הזה

Rabbi Natan of Breslov, Likutei Halakhot, Orach Chaim, Laws of Reading the Torah 6:35

Halacha

The practical laws. For a final ruling, ask your rav.

This psalm is about crying. Can I pray when I'm sad?

The Gemara (the early rabbis' discussions, about 1,500 years old) says not to stand up to pray out of sadness, laziness, laughter or idle talk, but out of the joy of a mitzvah. The Tur (a law code from the 1300s) says this is why we say Ashrei and the opening psalms first. The Gemara also teaches that since the Temple fell, the gates of prayer are locked but the gates of tears are not. Seder HaYom (a book on the day's prayers, printed in 1599) says that crying as you plead will certainly not go back empty.

Berakhot 31a and 32b; Tur, Orach Chaim 93; Seder HaYom, on the Amidah

How long should I stay in this sad mood?

This is Breslov teaching, not a ruling in the law codes. Rebbe Nachman of Breslov (a Chassidic teacher who died in 1810) writes in Likutei Moharan II:24 that it is a great mitzvah to be happy always and to push sadness away. A broken heart is good, he says, but only for a set hour each day, to pour out your words before God. The rest of the day should be joyful, because a broken heart slips into gloom more easily than joy slips into frivolity.

Likutei Moharan II:24 (sections 1 and 2)

It says "at night His song is with me." Must I learn at night?

The basic duty is a set time for Torah study by day and by night, and when pressed even Shema morning and evening counts (Shulchan Aruch, the main code of Jewish law). The Rambam (Maimonides, 1100s) says that whoever wants the crown of Torah should guard his nights, since most wisdom is gained then. He quotes this verse for the Sages' teaching that night learning draws a thread of God's kindness over you by day. He also says eight hours of sleep is enough.

Shulchan Aruch, Yoreh Deah 246:1; Rambam, Laws of Torah Study 3:13 and Laws of Human Dispositions 4:4; Avodah Zarah 3b

Is this psalm said at other times in davening?

In some places, yes. The Tur describes a custom in Spain: a psalm near the end of the morning prayers changed by occasion, and Ke'ayal ta'arog was the one for Chol HaMoed, the middle days of a festival. Knesset HaGedolah (a law book, Turkey, 1600s), quoted in Ba'er Hetev (printed with the Shulchan Aruch), saw this "in all places" but said not to drop the Levites' daily Temple psalm: say both. Abudarham (Seville, 1300s) adds it to the Pesach morning psalms, since its festive crowd recalls the pilgrims in Jerusalem.

Tur, Orach Chaim 133; Ba'er Hetev, Orach Chaim 132:7; Abudarham, Pesach, Festival Prayers

Which days of a festival is it said?

Customs differ. The Prisha (a commentary on the Tur, Poland, around 1600) says to say it on Chol HaMoed but not on Yom Tov, the full festival days, because the verse says "I will pass" with the crowd to God's house, and on Yom Tov such travel is forbidden. Kaf HaChaim (a Sephardic law commentary from the early 1900s) records a custom to add it to the morning psalms on the first day of Sukkot. Siddur Edot HaMizrach, a Sephardic siddur, prints it as the psalm for Sukkot.

Prisha, Orach Chaim 133:4; Kaf HaChaim, Orach Chaim 488:3; Siddur Edot HaMizrach, Song for Sukkot

Is it part of the midnight prayers?

In the Sephardic custom, yes. Kaf HaChaim gives the order of Tikkun Chatzot, the midnight vigil of mourning for the Temple, following the Arizal (Rabbi Yitzchak Luria, the Kabbalist of Safed, 1500s). After Tikkun Rachel, the lament, Tikkun Leah begins with this psalm. On the night of Rosh Chodesh, or on days without Tachanun (the daily plea after the Amidah), you do not mourn, so you say only four psalms: this one, then 24, 67 and 111, and then learn Torah. Their first letters make the memory sign K-L-A-H.

Kaf HaChaim, Orach Chaim 1:19; Siddur Edot HaMizrach, Tikkun Leah

Sources

Show the 10 sources quoted on this page
  • Sanhedrin 110a

    ובני קרח לא מתו תנא משום רבינו אמרו מקום נתבצר להם בגיהנם וישבו עליו ואמרו שירה

    "And the sons of Korach did not die." It was taught in the name of our teacher: a protected place was made for them in Gehinnom. They sat on it and sang.

  • Rashi on Tehillim 42:1

    וְשָׁם אָמְרוּ שִׁירָה, וְשָׁם יִסְּדוּ הַמִּזְמוֹרִים הַלָּלוּ, וְעָלוּ מִשָּׁם

    There they said a song, and there they composed these psalms, and they came up from there.

  • Rashi on Tehillim 42:2

    הָאַיָּלָה הַזֹּאת חֲסִידָה שֶׁבַּחַיּוֹת... חוֹפֶרֶת גּוּמָא וּמַכְנֶסֶת קַרְנֶיהָ לְתוֹכָהּ וְגוֹעָה, וְהַקָּדוֹשׁ בָּרוּךְ הוּא מְרַחֵם עָלֶיהָ וְהַתְּהוֹם מַעֲלָה לָהּ מַיִם

    This hind is the most pious of the animals... She digs a hole, puts her horns into it and cries out. The Holy One has compassion on her, and the deep brings up water for her.

  • Radak on Tehillim 42:3

    כי יהיה האדם בלא מאכל שנים שלשה ימים ולא יהי' בלא מים... וצמאון הנפש המשכלת אל כבודה יותר מצמאון הגוף אל המים

    A person can be without food for two or three days, but not without water... and the thirst of the thinking soul for its glory is greater than the body's thirst for water.

  • Ibn Ezra on Tehillim 42:3

    ואראה פני אלהים - זהו יראה כל זכורך

    "And I will appear before God." This is the same as "all your males will appear."

  • Taanit 25b

    אָמַר רַבִּי אֶלְעָזָר: כְּשֶׁמְּנַסְּכִין אֶת הַמַּיִם בֶּחָג, תְּהוֹם אוֹמֵר לַחֲבֵירוֹ: אַבַּע מֵימֶיךָ, קוֹל שְׁנֵי רֵיעִים אֲנִי שׁוֹמֵעַ

    Rabbi Elazar said: when they pour out the water on the festival, the deep says to its friend, "Let your waters out. I hear the voice of two friends."

  • Radak on Tehillim 42:6

    אשוב ואנחם אותה ואומר לה מה תשתוחחי נפשי הוחילי לאלהים

    I will turn back and comfort her, and say to her: why are you bowed down, my soul? Hope in God.

  • Radak on Tehillim 42:8

    עברו עלינו ואמר משבריך וגליך, כי אתה הבאתם עלינו בעונינו

    They passed over us. And he says "Your breakers and Your waves" because You brought them on us for our sins.

  • Midrash Tehillim 42:4

    הן לא קצרה יד ה׳ מהושיע... כי אם עונותיכם היו מבדילים

    The Holy One said to them: "The hand of Hashem is not too short to save... but your sins have been a barrier."

  • Likutei Moharan II:92

    בַּלַּיְלָה שִׁירֹה עִמִּי

    Shir: "at night His song is with me." (Rebbe Nachman's verse for the kind of song called shir.)

Every prayer in the siddur

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